4.
Specific desaturated areas with bright spots of isolated color.
I'm mostly thinking of the photo manip technique. I use a hell of a lot of black and white myself. But separating just the lips, for instance, looks odd to me. It feels broken and full of edges.
3.
Poetry in paintings.
I use a bit of this myself. On occasion when I'm just watercoloring my heart out. But in the end, when I'm looking at stuff in galleries, I never feel very drawn to things that scream in words. I want a slower build in tension than just a single scream of what the picture is about. I'm down with it. But I don't really -like- it.
2.
Intentionally shoddy craftman-ship.
There's a point where stylization and that kitschy thrown-together look... gets really old. I've been seeing a lot of plush sculptures around town lately. Most of them look like a good strong tug would pop those sloppy stitches. My inner techie says it wants things to look secure. Or at least... intentionally fragile. If that's what your going for. It's like having a piece of broken glass on stage. It makes me nervous.
1.
Fish-eye lenses.
Why? One. Distortion. Two. It's all up-in-my-face-ish and invading my happy bubble. Fish-eye lenses feel like molestation of puppies.










--
Hello imRai and i love drawing its funny and AWSOME ^0^ well just showin some of my art i guess so take a look
--
~
Delicious irony tastes of olives.
~
yes, even better than interpol WEEEEE
--
[link]
Brother's art.
--
~
Delicious irony tastes of olives.
~
--
[link]
Brother's art.
--
We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them-Anais Nin
...quick! ....Janis IV..... STAT. haha
love you!
--
I LOVE MY BOMBCAT!
--
~
Delicious irony tastes of olives.
~
Previous Page12345...Next Page